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Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria Hoffmann ranked him among the romantics. His later operas have half the length of a typical baroque opera
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The strong influence of french opera encouraged gluck to move to paris in november 1773. During gluck’s lifetime, and in the perceptions of the next generation, he was seen to play a central role in the forging of a new operatic style Christoph willibald gluck was a german classical composer, best known for his operas, including orfeo ed euridice (1762), alceste (1767), paride ed elena (1770), iphigénie en aulide (1774), the french version of orfeo (1774), and iphigénie en tauride (1779).
Christoph willibald gluck was a composer of italian and french opera in the early classical period
Born in the upper palatinate and raised in bohemia, both part of the holy roman empire, he gained prominence at the habsburg court at vienna. On this occasion gluck's music was completely original, but the displeasure of the court poet, metastasio, who called the opera archvandalian music, probably explains why gluck did not remain long in vienna despite the work's enormous popular success (it was performed 27 times to great acclaim). But he was also that rare thing, an artist who managed to absorb and transcend the spirit of his age. Gluck's musical legacy included about 35 complete operas, together with numerous ballets and instrumental works
His operatic reforms influenced mozart, particularly his opera idomeneo (1781). The two operas gluck composed for performance in london had to wait until the following year, 1746, to be staged Nevertheless, gluck's time in london was not completely wasted There he was exposed to music of handel, which he later admitted as being a strong influence on his style.
Gluck's legacy lives on through his influence on future generations of composers, particularly those in the classical era
His reforms paved the way for composers like wolfgang amadeus mozart and ludwig van beethoven to prioritize dramatic expression and storytelling in their own operatic works.
